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Sir Alan Brodrick (1623–1680)

Sir Alan Brodrick (1623–1680)

Oil portrait by Robert Walker depicting Sir Alan Brodrick,. 1640s

Three quarter length image of a man, Sir Alan Brodrick, with long curly dark hair wearing an armour including a breastplate, shoulder armour (pauldrons), and forearm guards (vambraces). His left hand rest on a helmet. and the right hand is not visible. the background is black to the left and clouds are visible to the right.

Sir Alan Brodrick (1623–1680)

Politician and Surveyor General of Ireland

Born in Wandsworth, Surrey, Sir Alan Brodrick was a prominent 17th-century English politician and royalist. Educated at Magdalen Hall, Oxford, and Gray’s Inn, he was called to the bar in 1648. During the Interregnum, he supported the monarchy and served as secretary to the Sealed Knot, a royalist underground movement.

Following the Restoration of Charles II, Brodrick was knighted and appointed Surveyor General of Ireland, a role he held for life. He served as MP for Orford in England and Dungarvan in Ireland, and was active in land settlement commissions, receiving substantial land grants in Dublin and Kilkenny.

Brodrick was known for his legal acumen and political influence, though later criticised for self-interest in land adjudications. He became increasingly religious in his later years and remained closely connected to the Duke of Ormond. He died unmarried in Wandsworth in 1680.

Artist
Walker, Robert
Locations
Putney
Wandsworth
All Saints Church
Materials
oil (paint)
canvas
Object Type
painting
Production Dates
17th Century
1640s

Artist Biography

Robert Walker (1599–1658) Portrait Painter of the Commonwealth Robert Walker was a prominent English portraitist best known for his depictions of Oliver Cromwell and other leading figures of the Parliamentarian cause during the English Civil War and Commonwealth period. His style was heavily influenced by Anthony van Dyck. Walker served as the chief painter to the parliamentary party from 1649 until his death in 1658. His portraits of Cromwell—particularly the iconic image of the Lord Protector in armour with a page tying his sash—became the definitive visual representation of Cromwell’s leadership. He also painted Henry Ireton, John Lambert, Charles Fleetwood, and diarist John Evelyn, among others.

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